Demo
Eight short films the Vishot pipeline made from text to finished film on one NVIDIA GeForce RTX 5090.
Here are clips of about 5 seconds from each film. The full films run from 45 to 61 seconds: they are on the studio's PC, we will put them on the portal later.
The films
Shot 01LTX 2.5Aerial shot at golden hour: a serpentine road in green cliffs above a turquoise sea, a small red convertible driving along it.
Road movie
Coastal Road
Maya and Leo drive a red convertible along a coastal road, choose the sea over the mountains and meet the sunset on a stone pier.
- Film length
- 55 s
- Shots
- 11
- Generation of frames and video on one RTX 5090
- 28 min 41 s
- Krea 2 frames: 3 min 20 s. LTX 2.5 and MiniMax H3 video: 25 min 21 s.
5 MiniMax H3, with a line6 LTX 2.5, motion without a line
- Maya
- Leo
Shot 01LTX 2.5A fleet of massive grey ships in formation above a banded gas giant.
Space opera
Last Fleet
Forty enemy ships against twelve: Captain Nadia leads the fleet into battle above a gas giant, and after the battle all twelve are still flying.
- Film length
- 61 s
- Shots
- 12
- Generation of frames and video on one RTX 5090
- 30 min 43 s
- Krea 2 frames: 3 min 38 s. LTX 2.5 and MiniMax H3 video: 27 min 5 s.
5 MiniMax H3, with a line7 LTX 2.5, motion without a line
- Nadia
- Osei
Shot 08LTX 2.5A humanoid combat robot runs across the battlefield firing its rotary cannon, smoke behind it.
Military sci-fi
Iron Front
Commander Voss orders the line held, and pilot Rhea takes her combat robot against an enemy walker twice the size of her machine and brings it down.
- Film length
- 61 s
- Shots
- 12
- Generation of frames and video on one RTX 5090
- 48 min 10 s
- Krea 2 frames: 3 min 38 s. LTX 2.5 and MiniMax H3 video: 44 min 32 s.
5 MiniMax H3, with a line7 LTX 2.5, motion without a line
- Rhea
- Voss
Shot 07LTX 2.5The army's front line raises great shields against a wall of dragon fire, the snow turns to steam.
Fantasy
Dragon Pass
Queen Elowen refuses to retreat from the mountain pass, and the army with the knight Bran holds it under dragon fire.
- Film length
- 56 s
- Shots
- 11
- Generation of frames and video on one RTX 5090
- 27 min 37 s
- Krea 2 frames: 5 min 56 s. LTX 2.5 and MiniMax H3 video: 21 min 41 s.
4 MiniMax H3, with a line7 LTX 2.5, motion without a line
- Elowen
- Bran
Shot 07LTX 2.5A huge wave crashes over the harbour wall and floods the streets of the coastal city.
Disaster film
Fault Line
A wave floods a coastal city, and Daniel leads his daughter Ella to high ground and promises to find her mother at the hospital on the hill.
- Film length
- 54 s
- Shots
- 11
- Generation of frames and video on one RTX 5090
- 27 min 41 s
- Krea 2 frames: 3 min 19 s. LTX 2.5 and MiniMax H3 video: 24 min 22 s.
5 MiniMax H3, with a line6 LTX 2.5, motion without a line
- Daniel
- Ella
Shot 05LTX 2.5Riders gallop down a snowy slope, snow flying from the hooves.
Historical epic
The Charge
The winter steppe of the 17th century: the veteran Taras leads the young cavalryman Ostap in a charge against a larger army, and they break it.
- Film length
- 58 s
- Shots
- 12
- Generation of frames and video on one RTX 5090
- 29 min 29 s
- Krea 2 frames: 3 min 38 s. LTX 2.5 and MiniMax H3 video: 25 min 51 s.
4 MiniMax H3, with a line8 LTX 2.5, motion without a line
- Taras
- Ostap
Shot 07MiniMax H3Hale and June in the diner at night, June's frightened eyes move from the window to the detective.
Neo-noir
Night Shift
On a rainy night Detective Hale questions the waitress June about a missing truck driver, and she admits that someone watches from the parking lot every night.
- Film length
- 45 s
- Shots
- 9
- Generation of frames and video on one RTX 5090
- 29 min 28 s
- Krea 2 frames: 2 min 43 s. LTX 2.5 and MiniMax H3 video: 26 min 45 s.
5 MiniMax H3, with a line4 LTX 2.5, motion without a line
- Hale
- June
Shot 06LTX 2.5Night on Mars: a lone astronaut on a red ridge looks up at the starry sky.
Science fiction
Ground Control
The astronaut Amira talks from Mars over a video call with her nine-year-old daughter Lily, who is at home on Earth counting the days until she comes back.
- Film length
- 46 s
- Shots
- 9
- Generation of frames and video on one RTX 5090
- 25 min 37 s
- Krea 2 frames: 2 min 44 s. LTX 2.5 and MiniMax H3 video: 22 min 53 s.
5 MiniMax H3, with a line4 LTX 2.5, motion without a line
- Amira
- Lily
- films
- 8
- shots: 38 with lines in MiniMax H3, 49 without lines in LTX 2.5
- 87
- of screen time in all
- 7 min 16 s
- of frame and video generation on one RTX 5090
- 4 h 7 min
Under its licence the local MiniMax H3 weights cannot be used in the US, the EU, the UK or South Korea; there only the cloud MiniMax H3 through the portal is available. Model licenses in the Terms
How one shot is made
Coastal Road, shot 6. One line of Maya's goes through five steps on the same RTX 5090. Generation seconds come from the film's log.
Script
The shot description and the line. The pipeline takes everything else from this text: what is in the frame, who speaks and what exactly.
EXT. COASTAL SERPENTINE. LATE AFTERNOONClose on Maya in profile in the passenger seat, looking at Leo and laughing. The sun behind her.MayaThe sea. Always the sea.Frame
Krea 2 IntoRealism paints the starting frame of the shot: faces, light, composition.
18 sframe generation
Motion, speech and lips
MiniMax H3 brings the frame to life: Maya says the line in the voice the model gives, and her lips move in time.
73 svideo generation
The sea. Always the sea. MiniMax H3raw output1344×768
One voice
Seed-VC turns the line into the same voice Maya speaks with in her other shots. Every character in the film has one voice.
The sea. Always the sea. Seed-VCthe character's voice
1080p and grade
SeedVR2 brings the shot up to 1080p, then ffmpeg lays on the film's grade and grain. Subtitles go as a separate .srt file.
The sea. Always the sea. SeedVR21080pgrade
Only the clips in this section have sound, and it turns on only with the button. All other clips on the page are muted.
These films were shot without Unreal
The model generates the frames of these eight films directly: nobody built a set or placed cameras and lights.
They show the second half of Vishot: from the frame to the finished film. The first half, staging the scene in Unreal with actors on marks and cameras, is on the home page.
Staging in Unreal on the home pageTry it on your own script
The account is free: Vishot Studio opens with a sample scene, and you can save and export one scene of your own. Cloud generation on paid plans from $25 a month.